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the man breathes.  “Thy lot or portion of life,” said the
                        Caliph Ali,  “is seeking after thee; therefore be at rest
                        from seeking after it.” Our dependence on these for­
                        eign goods leads us to our slavish respect for numbers.
                        The political parties meet in numerous conventions; the
                        greater the concourse and with each new uproar of an­
                        nouncement, The delegation from Essex! The Demo­
                        crats from New Hampshire! The Whigs of Maine! The
                        young patriot feels himself stronger than before by a
                        new thousand of eyes and arms. In like manner the re­
                        formers summon conventions and vote and resolve in
                        multitude. Not so, O friends! Will the God deign to en­
                        ter and inhabit you, but by a method precisely the re­
                        verse.  It is only as a  man puts off all  foreign  support
                        and stands alone that I see him to be strong and to pre­
                        vail. He is weaker by every recruit to his banner. Is not
                        a man better than a town? He who knows that power is
                        inborn, that he is weak because he has looked for good
                        out of him and elsewhere, and, so perceiving, throws
                        himself unhesitatingly  on his thought,  instantly  fights
                        himself,  stands  in  the  erect  position,  commands  his
                        limbs, works miracles; just as a man who stands on his
                        feet  is  stronger  than  a  man  who  stands  on  his  head.
                        (Ralph Waldo Emerson)
                     3.  The film industry changed from silent films to the “talk­
                        ies” in the late  1920s, after the success in  1927 of The
                        Jazz Singer.  Mickey Mouse was one of the few “stars”
                        who made a smooth transition from silent films to talk­
                        ies.  Mickey  made his first cartoon  with  sound  in  No­
                        vember 1928. The cartoon was called Steamboat Willie.
                        Walt Disney (1901-1966) drew Mickey as well as used
                        his own voice for Mickey’s highpitched tones. Within
                        a  year,  hundreds  of Mickey  Mouse  clubs  had  sprung
                        up all across the United States.  By  1931, more than a
                        million  people  belong  to  a  Mickey  Mouse  club.  The
                        phenomenon was not confined to America. In London,

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